Small Portrait of Hanaa ben Abdesslem

by Retoyman in , , , , , , , ,




Small Portrait of Hanaa ben Abdesslem.  9x12 ink on Bristol Paper.

I took some quick snap shots of Hanaa in casting and what a beautiful women she is.  Comfortable with her strength and that hair of hers looks amazing.  She has a kind of Isabella Rossellini presence about her that is very magnetic.

Rodin Brancusi Noguchi

by Retoyman in , , , , , , , ,




Rodin Brancusi Noguchi.  9x12 Ink on Bristol Paper.

I always admired these three men.  A legacy of modern art that also relied on a tradition of apprenticeship.  Brancusi was the apprentice of Rodin, and Noguchi was the apprentice of Brancusi.  What fascinates me about this relationship of art, generations, and modernism is how distinct each artist is, but reading about their thoughts on form, abstraction, and movement you can see how ideas were passed down to each artist.  I find that this relationship is slowly disappearing in the teaching of art.  I learned my craft from mentors, but never in a full emersion apprenticeship.  Maybe this is nostalgia speaking.